The Nail Script was created by Matthew DeBlock and is designed to be written with nails and a hammer as opposed to pen, pencil or engraving. The script can also be written with standard writing tools, but the true efficiency and unique characteristics of the script don't come into play unless it is written with nails. It is meant for special application and novelty.
The main advantages specific to writing with nails are:
Nails are set in the wood then bent down, there are 8 possible orientations, and an extra nail can be pounded fully down to act as a "dot" which can be placed at the nail head or at the "base" (where the nail enters the wood).
This example spaces each letter individually.
Letters can be "sucked together tightly" to save space in many places.
The real fun begins when you start to allow nails to be laid over top of other nails.
In this example some nails are overlapped. There are white outlines around each nail so if you look closely you can see which is below and which is above. Not all nails can overlap all other nails of course, 2 vertical nails of course are difficult, if not impossible, to overlap. In this example overlaps are only used when it preserves the left-right order (the lower nail is also always the left-most nail.)
In this example the nails are overlapped almost as much as possible. The sequence of letters is primarily preserved by the layers. Previous letters are underneath following letters.
All human beings are born free and equal in dignity and rights.
In this version of NailScript there is an imaginary line dividing the board horizontally into 2 rows. If you find it difficult to read or write without seeing the line, you can easily grab something long and straight and score a line down the board, using a nail or anything sharp, so you can see the mid-line as you hammer in the nail.
The mid-line crosses through the middle of the circles. Unlike the Single row version, the double row version splits letters between the 2 rows.
The "dot" on the center line is used as a "space character", which allows the words to be drawn slightly tighter together (space between words is smaller) than the single row version. Dots are not used in the middle because there are more possibilities available in the double row version, and by omitting dotted horizontal lines the letters can be tightened up together more without risk of ambiguity. It would be hard to draw multiple horizontal stokes together and still be clear which a dot belongs to.
This example spaces each letter individually.
Next you can allow letters to exist sharing space vertically. To do this I prefer to use the rule "read left to right, and when there are letters in both the top and bottom rows, read top first, then read bottom, then move again to the right."
This means you can only "piled up", using both rows simultaneously, roughly one quarter of the time (on average). "Left Top + Right bottom" can be merged, but "Left Bottom + Right Top Cannot", needless to say "Top+Top" and "Bottom+Bottom" cannot be merged in this way either
In the next picture you will see the above text again using this simple "pile-up" rule.
Further information about Nail Script can also be found at:
http://dscript.org/nailscript.pdf
Constructed scripts for: Ainu | Arabic | Chinese languages | Dutch | English | Hawaiian | Hungarian | Japanese | Korean | Lingala | Malay & Indonesian | Persian | Tagalog / Filipino | Russian | Sanskrit | Spanish | Taino | Turkish | Vietnamese | Welsh | Other natural languages | Colour-based scripts | Tactile scripts | Phonetic/universal scripts | Constructed scripts for constructed languages | Adaptations of existing alphabets | Fictional alphabets | Magical alphabets | A-Z index | How to submit a constructed script
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